Most Golu (Bommala Koluvu) questions are about the steps themselves — how many, and what goes where. Those are answered in our Golu setup guide. This one is about the arrangements people ask for by name: the ten avatars of Vishnu, the eight forms of Lakshmi, and the nine planets. Each has an order, and the order is the point.
Dashavatharam is a sequence, not a group. The ten avatars are arranged left to right in the order they appear, so that someone walking past reads them as a story. If you are new to Golu, start with the Golu setup guide; from the viewer’s left, the order is:
Two things families differ on, and both are accepted. Some traditions leave Balarama out: Krishna moves up to eighth and Buddha takes the ninth place. And some arrange the set right to left, so the sequence reads correctly from the deity’s side rather than the visitor’s. Follow whichever your family has always followed — the order within the sequence matters more than its direction.
Dashavatharam sits in the upper half of the Golu, on the step below the kalasham and the principal deities. On a five-step Golu that is usually the second step from the top; on a seven-step, the second or third. It is a divine sequence, so it should sit above the human scenes — the wedding set, the village, the musicians — rather than beside them.
Keep all ten at the same height and the same spacing. The sequence is what the eye follows, and an uneven line breaks it. If your set is small and the step is deep, bring the whole row forward to the front edge rather than centring it.
We stock Dashavatharam in several materials and sizes, all hand-made, so no two sets are identical in the way a moulded one would be. The choice is mostly about the depth of your step. The rest of the range is on the Golu bommalu page.
Ashtalakshmi is a circle of eight, not a line, and that changes how it is placed. The eight forms are Adi, Dhana, Dhanya, Gaja, Santana, Veera, Vijaya and Aishwarya Lakshmi.
Where a step is deep enough, arrange them in a shallow arc so that the middle of the group sits slightly forward. Where it is not, a straight row is perfectly correct — but keep them together as one group rather than spreading them along the whole step, because the eight are read as one deity in eight aspects.
Ashtalakshmi belongs on the top step or the one directly below it, beside or just under the kalasham. If you are also showing Dashavatharam, put Ashtalakshmi above it: the avatars are a sequence through time, the Lakshmis are a single presence.
We stock Ashtalakshmi in clay, as a larger clay set for a deep step, and as an Etikoppaka Ashtalakshmi set in lacquered wood. Many families also build the eight up over several years from individual Lakshmi figures, which is the older way of doing it — see building a collection year on year in the setup guide.
Navagraha is arranged as a three-by-three square, never a line. Surya sits at the centre, and the other eight are placed around him. Each has its own direction in the traditional layout, and the square is kept square — if your step is too narrow for three rows, it is better to leave Navagraha out than to stretch it into a line.
It sits low rather than high, usually on the third or fourth step, because it represents the cosmos the rest of the display stands within.
Every family’s Golu differs, and the differences are usually inherited rather than wrong. The order within each set is worth keeping. Which step it lands on, which direction the sequence runs, whether Balarama or Buddha is counted among the ten — those vary by family and region, and the one your grandmother used is the right one for your house.
If you are setting up your first Golu, start with the setup guide: how many steps, what you will need, and what goes on each one.
Our shop is in Kamala Nagar, ECIL, Hyderabad, and everything we sell is hand-made by artisan families — Kondapalli in soft Tella Poniki wood, Etikoppaka in lacquer, and clay. You can order online across India, or visit the shop.
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